Where available, all scores, audio, and visual documentation are linked below.
(Asterisked pieces are currently behind paywalls.)
If you have any questions about any pieces you can contact me via the contact form.
full list of works
| score | audio | visual | |||
| autumn leaves, falling | 2024 | for tenor recorder |
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| O come, O come | 2023 | postcard |
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| you sail on happily while I remain here weeping | 2023 | for heartbroken lover and supportive ensemble |
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| restoration five | 2023 | for use with any difficult passage of music | *
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| Letters 12th November 2022 |
2022 | series of handwritten letters | |||
| restoration four | 2022 | bible, wax and brush | *
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| restoration three | 2022 | postcards, sheet of six | *
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| restoration two | 2022 | canvas and mixed mediums | *
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| restoration one | 2022 | ceramic, restored | *
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| lamentation six | 2022 | video performance | *
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| You Are Valued | 2022 | postcard, set of eight | |||
| You Are Loved | 2022 | postcard, set of eleven | |||
| You Are Worth Caring For | 2022 | postcard, digital |
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| lamentation five | 2022 | ceramic, broken | *
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| lamentation four | 2022 | canvas and mixed mediums, 40x32 inches | *
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| lamentation three | 2022 | A5 print | *
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| lamentation two | 2022 | for piano and bowed string instrument | *
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| lamentation one | 2022 | video performance | *
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| BellaBree | 2021 | A5 Print |
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| Words | 2018 | six movements for five performers | |||
| There will be Dread | 2018 | interactive experience for five players |
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| for | 2018-2019 | series of postcard pieces |
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| Experiential Christmas Cards | 2017 | christmas card pieces | |||
| we're all white girls here | 2017 | postcard |
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| Riot in Wild Orgy | 2017 | for multiples of twelve wine glasses | |||
| Inaugural Address | 2017 | for solo piano | |||
| Quoth the Raven | 2017 | for tenor saxophone and marimba |
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| d20 for Quartet | 2016 | for quartet and twenty-sided dice |
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| d20 for Ensemble | 2016 | for ensemble and twenty-sided dice |
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| Guinevere’s Lullaby | 2014 | for SATB choir | |||
| I Wandered Lonely | 2013 | for vocals and piano | |||
| Abide in Me | 2013 | for vocals and piano | |||
| WateredSilence | 2013 | for chamber orchestra |
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| Faces in the Dark | 2012 | for solo piano |
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| Beginnings | 2012 | three movements for flute, guitar, violin, viola and cello |
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| Pulsations | 2012 | part improvised work for medium sized ensemble |
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| Ana Mish Fahem | 2010 | for SATB choir |
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works for dance
| Disrumpere | 2017 | Electro-acoustic work choreographed by Signe Vitina |
| Where light in darkness lies | 2012 | Electro-acoustic work, Co-Composed: Matt Isaac choreographed by Joanna Thurston |
composition commissions
| I Wandered Lonely | for vocals and piano commissioned by Ann-Marie Dodson Senior Lecturer in Adult Nursing and Birmingham City University to be sung by students to Sherpa people in Nepal |
| Abide in Me | for vocals and piano arrangement of traditional hymn commissioned by Ann-Marie Dodson Senior Lecturer in Adult Nursing and Birmingham City University to be sung by students to Sherpa people in Nepal |
composition competitons
| shortlisted for the Bath Spa University Porthleven Prize 2017 | |
| Guinevere's Lullaby | for SATB choir long-listed for the Jessica Foxley Young Composer competition |
| WateredSilence | for chamber orchestra selected by The Vine Orchestra in their call for scores of seven seconds in length |